I am always looking for special books that I think anyone could love and appreciate. One-in-a-Million Boy offers that perfect blending of sweet and sassy that I think any reader could appreciate. I am so excited to share an interview today with Monica Wood to understand some of the inspiration she had for this story! Best of all, it’s on sale today for $2.99 so hurry up and snag it at this price for a great summer reading escape!
In, The One-in-a-Million Boy, Ona is 104 and develops a fast friendship with a Scout who is obsessed with the Guinness Book of World Records. He believes Ona has a chance of winning, thanks to her age. Unfortunately, the boy tragically dies and his father is left to fulfill his son’s duties. Quinn has never been much of a father though, but it is through Ona that he discovers just how special his boy is.
The book flashes back to the special conversations the boy had with Ona around her kitchen table, is laced with true Guinness Book of World record holders, and a road trip adventure that brings the boy’s parents closer to Ona as she tries to seal the deal on her very own world record. This story is touching, heartfelt, and beautifully told.
I included this in our Must-Reads last month!
Now settle in with a cup of coffee for a chat with Monica Wood today to learn more about this sweet story!
You have such a diverse body of work! You recently wrote a very successful memoir (When We Were the Kennedys) and I also understand you have written your first play which had an incredibly successful run. The One-in-a-Million Boy is equally incredible and such a beautiful read. What type of writing has brought you the most pleasure and which type of writing has been the most challenging for you?
What a lovely question! Playwriting turned out to be the easiest, at least for that first play. For one thing, I had only one tool: dialogue, which I love to write. Any time I’m writing dialogue I’m happy. Novels are by far the hardest. They are so big; you can’t hold the whole thing in your head at once; you can lay the pages out on the floor and look at them the way you can with a short story; and it takes so, so, so, so, SO long to figure out what the story is, who the characters are, and how everything fits together.
You chose to not name the little boy in this story. Is there any reason in particular you decided not to name him?
You know, some readers get really far into the book before they realize this. They page back to see if they missed it. I named him several times in the writing of the book but nothing felt right. In the end, I realized that I couldn’t name him because to name him would be to make him too moral, to corporeal, too much tethered to the earth. He is more of a presence, a spirit in the book. Hence, no name.
You bring such beauty and humor to the story of Ona and just the right voice for a woman of 104 years of age. Did you shape her character from anyone in your own life? What was your favorite scene to craft for this feisty woman?
My favorite scenes are between Ona and the boy, I think. They were both delightful company for me in the many years it took to complete the story. I had a very dear friend whom I did not meet until she was 87. She died at 98, still in possession of a valid driver’s license, and I count her as one of the loveliest friends ever. I miss her still.
The boy says, “I have deficiencies,” to explain some of his obsessions like the Guinness Book of World Records. It reminded me a little of Be Frank With Me, as the writer in that story also refers to these behaviors, but doesn’t actually label her character. As a reader, I am assuming the boy has Asperger’s. Why did you not want to label him in your story?
Mostly because I don’t know that he has Asperger’s or any other syndrome except his own quirky little personality. I was somewhat like this child in my own childhood: a list maker, an obsessive observer. Most writers I know were a little like that as children. I started this book in 2004, when Aspergers was not yet part of the common parlance. I’d heard of autism, I’m sure, but this was before “on the spectrum” was commonly used.
There is a pretty epic road trip in this story which brings your three characters together in some surprising ways. I love a good road trip story! What has been a favorite road trip of your own?
My husband and I drove across country and back in the 1980s. I’m a birder, so we planned our trip to hit lots of National Wildlife Refuges. Unlike national parks, refuges are almost always empty of tourists. It was wonderful to find ourselves nearly alone in so many spectacular places.
(kim goodman– guinness record holder)
I’m curious to find out what is one of the strangest Guinness World Record that you found while researching for this project?
Oh, my. Where to begin? Those books are a testament to human goofiness and striving. I think the eyeball-popper takes the cake. Something like an inch or so. There’s a picture of her with her eyeballs literally OUT of their sockets.
If I could set a world record in anything, I’d love for it to be the record holder for most book pages read… or maybe most cups of coffee consumed over the course of a lifetime. What is one thing you wish you could set a record in?
I wouldn’t mind a record for most books sold in a single day. Wouldn’t that be cool?
Since your writing is so diverse, I am wondering what you are planning to write next?
I’m working on a new play at the moment. This one is harder because it’s not based on a previous book. So I’m back at the old “who are these people and why are they saying these things” stage of writing.
You can connect with Monica Wood on her website! I’m always thankful for these moments with writers and I hope you will pick up this amazing book! You can always connect with me on GoodReads, through our books section of our site, and you can read our entire Sundays With Writers series for more author profiles. Happy reading, friends!
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